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Fujifilm is famous for its quality optics. Even whale lenses of this brand have good sharpness and pattern. The only drawback of Fujifilm optics is the high prices relative to other systems. About which glasses for Fujifilm cameras are worthy of attention among native and Chinese counterparts, read in this material.
Photo: www.unsplash.comFujifilm lenses
Fixes and portraits for Fujifilm
Zoom lenses for Fujifilm
Chinese analogues of lenses for Fujifilm
Viltrox autofocus lenses for Fujifilm
The Best Manual Lenses for Fujifilm
It must be said right away that in general, optics is the strength of the brand. Therefore, if you randomly take any native Fujifilm lens, with almost one hundred percent probability it will turn out to be quite sharp, not soapy, quickly focusing and with a pleasant calm pattern. And with proper skill it will be possible to shoot and get a good picture.
Next, let’s take a closer look at individual successful models and figure out which lens is better to take for what purposes.
Fixes and portraits for Fujifilm
Fujifilm XF 35mm f/1.4. In terms of field of view, this lens gives almost the same thing as a classic fifty dollars would give in full frame. This lens is versatile, and thanks to its large aperture and beautiful bokeh, it is suitable for shooting portraits.
A typical picture for Fujifilm 35mm: good sharpness, calm drawing, pronounced blur in the half-length portrait, slight but noticeable, in full-length / Photo: Alisa Smirnova, Fotosklad.ExpertAperture is enough to work in twilight or dimly lit rooms with shutter speeds sufficient to capture fast movement (1/250, for example). The design of the glass resembles other lenses from the older Fuji line: a metal body, a separate aperture ring with printed values.
The only big problem is the not-too-fast autofocus motor. In the light, there are no special problems with focusing, in the dark or in flickering light (for example, when shooting dances with a strobe light), the focus can fidget back and forth. Also, the lens may slowly come into focus when working with tracking focus. However, this glass is usually used for shooting in quiet situations, and working with tracking focus is usually needed for shooting sports, children or animals.
All these shortcomings should have been corrected in the latest version of the Fujifilm XF 33 mm f/1.4. But it is still rare in Russia. You can only read the review and wait for the new items to appear on sale.
Fujifilm XF 35mm f/2. The younger brother of lenses is higher. Slightly smaller than the minimum aperture value, which will reduce the level of background blur. The design of the lens is also slightly simpler than that of the more expensive version, but the price is almost half that of the f/1.4 version. An interesting bonus: this glass, unlike its older brother, has moisture and dust protection.
Fujifilm XF 50mm F1.0. This lens is interesting primarily for its extreme aperture — 1.0. The equivalent distance is 75 millimeters. It gives a very strong blur, as in the example below. Such bokeh is an interesting solution for wedding and delicate portrait shots.
Pay attention to the depth of field: eyes in focus, eyebrows, cheeks and nose tip / Photo: dpreview.comAt the same time, the lens is very heavy — it weighs about 800 grams (about twice as heavy as its closest relatives) and one of the most expensive. Such glass is well suited for shooting full-length and over-sized portraits with strong background blur.
Fujifilm XF 56mm f/1.2. Another very common and fairly versatile fix for Fujifilm. A classic portrait lens with an 85mm equivalent distance and high aperture. It is very similar in design to the 35mm f/1.4, with the same metal body and the same two control rings. One is responsible for focusing, the second for aperture.
The Fujifilm XF 56mm f/1.2 produces a nice background blur even if it’s not too far from the main subject / Photo: dpreview.comLike other Fujifilm light primes, the lens does not focus too quickly. There is an even more expensive version with an apodization filter. This filter affects the pattern of the lens. Specifically, to blur the background. The apodization filter makes the bokeh at open apertures quieter — it greatly softens the edges of the highlights. But at the same time, it greatly reduces light transmission, due to which the aperture ratio drops. This is important to consider when buying and when shooting in the twilight.
Fujifilm XF 80mm F2.8. Macro lens, 1:1 zoom ratio, 120mm equivalent distance. This means that the captured object on the sensor can be captured the same size as in real life. Thanks to 4‑axis stabilization, you can work hand-held without a tripod. This is useful when shooting insects or when shooting a subject on location where you don’t want to lug around a lot of equipment. For example, if you need to shoot a menu for a restaurant.
This lens is also sometimes used as a portrait lens. It has approximately the same disadvantages and advantages as the glass, which was discussed above. Only the equivalent focal length is slightly longer and the price is higher.
Fujifilm XF 90mm f/2. Fast medium telephoto with 135mm equivalent distance. Ideal for close-up portraits, sports and reportage photography. Allows you to get a strong blur even at growth and super-growth sizes.
This lens pleases with faster focusing than other Fujifilm primes. The Quad LM motor is responsible for it. By design — a standard older Fujifilm lens — a metal body, a focusing ring and a graduated aperture ring. The lens is waterproof.
Zoom lenses for Fujifilm
Fujifilm XF 16–55mm F2.8. Regular zoom lens with constant aperture. A good choice for reportage photography, including shooting weddings, sports, corporate events and other events. Focuses quickly and well, thanks to a small minimum aperture value allows you to work in low light conditions.
Convenient control of the aperture and manual focus rings. Of the minuses — the auto-iris lever is not very well located — it is easy to accidentally hurt when zooming.
The main disadvantage is the high price. 90 thousand rubles for a regular lens is a lot.
Fujifilm XF 18–55mm f/2.8–4. Standard zoom, which most often comes with older models of Fujifilm cameras. Convenient enough for standard reportage shooting, copes well with shooting even in low light conditions — thanks to good aperture at minimum zoom values. Not too heavy (310 grams), despite the metal case. Such glass costs an average of about 40 thousand rubles.
One of the most common lenses for Fujifilm / Photo: unsplash.comThis lens has an even younger modification 16–50mm 3.5–5.6, which is sold with younger Fujifilm cameras, but this lens is almost impossible to find on sale separately.
Fujifilm XF 18–135mm f/3.5–5.6. A convenient hybrid of a standard lens and a medium telephoto lens. Good average in every way. Convenient for filming a report. Especially in difficult conditions, when it is undesirable to change lenses frequently.
Fujifilm XF 50–140mm f/2.8. Televik “a poet’s dream”. Waterproof, with a constant aperture of 2.8, which means that you can work in low light conditions if there is no rapid movement in the frame.
The lens focuses quickly, especially with cameras that have phase sensors on the matrix (such as the Fujifilm X‑T1). The lens is stabilized, which allows you to use longer shutter speeds without blurring, protected from moisture and dust.
Of the minuses: heavy (almost a kilogram) and expensive (from 115 thousand).
This lens is ideal for shooting sports / Photo: flickr.comFujifilm XF 55–200mm f/3.5–4.8. This lens is darker, its aperture is lower and variable. But at the same time, its maximum focal length is longer than that of its older brother. So, the glass gives more opportunities to zoom in on the image. In addition, at maximum focal lengths, it gives a confident background blur.
Fujifilm XC 50–230mm f/4.5–6.7. Somewhat underestimated because of the low aperture ratio, the younger brother of the models above. At the same time, the lens weighs significantly less and costs five times cheaper than the top version.
The Fujifilm XC 50–230mm has good autofocus, like most zoom lenses from this brand. Given this low cost, the Fujifilm XC 50–230mm f/4.5–6.7 is a good value for money option.
The main problem with this lens is a small aperture, especially at the long end. The lens is not well suited for shooting moving things in low light. Actually, even on the street on a cloudy day, he may not have enough light — blurs may begin, or ISO will fly into space.
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Chinese analogues of lenses for Fujifilm should be taken in two cases: when the native lens does not fit into the budget at all, and when the system simply does not have the lens you need. For example, there is not a single fisheye in the Fujifilm lineup. If you really want to shoot with a Fujik specifically for a fisheye, you will have to choose from glasses from another manufacturer.
Viltrox autofocus lenses for Fujifilm
This brand has good autofocus lenses for Fujifilm cameras. The picture quality of the original glasses and the options from Viltrox, of course, is slightly different. But the key word here is “a little”. Let’s compare two pictures:
Left photo taken with Viltrox AF 56mm f/1.4, right photo with Fujifilm XF 35mm f/1.4 / Photo: Alisa Smirnova, Photosklad.ExpertAesthetes may say that the pattern of the lenses is slightly different. In the native Fujik, the bokeh is softer and more plastic, in Viltrox, “scales” are slightly visible on the highlights that go into blur. Perhaps you can find some other shortcomings. But in general, the Viltrox AF 56mm f/1.4 is a decent lens for the money, allowing you to get a decent picture. Unless it focuses a little slower than the native one.
At the same time, the price of Viltrox is almost half that. And the same story with Viltrox XF 33mm f/1.4 and Viltrox AF 85/1.8 II.
The Best Manual Lenses for Fujifilm
All lenses, which will be discussed below, are manual, they do not have autofocus. This means that by default they will lose much to their relatives due to the fact that working with them, you will have to spend time and effort on manual focusing. If you choose such a lens, it is worth learning how to focus with your hands before taking on responsible shooting.
To a lesser extent, problems with focus will affect fisheyes and wide-angle lenses, which, due to their design, have a large depth of field. And with fast fixes with average focal lengths, everything is more difficult. If, for example, you take the ultra-fast Laowa 33mmf / 0.95 Argus CF, 7Artisans 50mm F0.95 or Meike 50mm f / 1.7, you can suffer from focusing. Although, of course, at a price they will be much more affordable than native lenses.
Among fisheyes and wide-angle lenses, you should pay attention to:
– Laowa 4mm f/2.8 Fisheye. If you need a circular fisheye for Fujifilm;
– 7Artisans 7.5mm F2.8 mark ii. Budget, fairly fast diagonal fisheye;
– Samyang 8mm f/2.8 Fisheye. Another diagonal fisheye. Among the advantages — small size and weight (about 250 grams). There is a version sharpened for video shooting;
– Samyang 12mm f/2.0. The wide-angle counterpart of the lens is taller, but without the fisheye effect. There is also a video version.
Among the macro lenses of interest are:
– Laowa 65mm f/2.8 2x. A distinctive feature of this lens: a two-fold increase in macro photography. There is no analogue to him in his native Fujifilm line. The lens is praised for its sharpness, but scolded for the lack of an auto aperture (yes, the Shutter Priority mode does not work with it, the aperture must always be set manually on the ring);
– 7Artisans 60mm F2.8. The most affordable macro lens for Fujifilm, with the ability to shoot at 1:1 scale. Among the pluses — good sharpness even at open apertures, of the minuses — poor build quality, which means fragility and fragility.
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